Berry demonstrates that the new public texts projected a national collectivity characterized by universal access to markets, mobility, sociability, and self-fashioning. This shared space of knowledge made society visible to itself and in the process subverted notions of status hierarchy. In early modernity, the new and crucial vari-able was commercialization: culture could be purchased and thus loosed from any tight relationship with class. Nonetheless, cultural practice is ulti-mately disorderly for it is Protean in dimension and influenced by incalculable variables. Japan in Print shows how, as investigators collected and disseminated richly diverse data, they came to presume in their audience a standard of cultural literacy that changed anonymous consumers into an 'us' bound by common frames of reference. MARY ELIZABETH BERRY with their own coherence. Inviting readers to examine the contours and meanings of this transformation, Berry provides a fascinating account of the conversion of the public from an object of state surveillance into a subject of self-knowledge. In this original and gracefully written book, Mary Elizabeth Berry considers the social processes that drove the information explosion of the 1600s. They subsequently circulated their findings through a variety of commercially printed texts: maps, gazetteers, family encyclopedias, urban directories, travel guides, official personnel rosters, and instruction manuals for everything from farming to lovemaking.

After 1600, self-appointed investigators used the model of the land and cartographic surveys of the newly unified state to observe and order subjects such as agronomy, medicine, gastronomy, commerce, travel, and entertainment. A quiet revolution in knowledge separated the early modern period in Japan from all previous time.

Japan in Print by Mary Elizabeth Berry